Lutos?awski: Piano Concerto; Symphony No 2 CD review - a glorious affirmation ... - The Guardian

Rattle's performance, huge and also thrillingly wild, conveys the sense of the perform that's both experimental and at exactly the same time profoundly assured. As Well As because this new recording makes clearer as compared to ever, it is a perform greatly conceived in the excellent concerto tradition, constantly questioning and reassessing the relationship between the soloist as well as the orchestra. With Each And Every Other these people get this new recording a glorious affirmation with the location associated with Lutos?awski's perform inside the concerto canon - component of the lineage that stretches again through Bartók and Prokofiev to Brahms, Schumann and also Chopin.

The perform which Witold Lutos?awski completed pertaining to Krystian Zimerman within 1988, 6 years just before his death, ranks alongside Ligeti's utterly different concerto as the most important pertaining to piano and orchestra since Bartók. It was the first large-scale orchestral work to help make use of his compositional technique of "limited aleatoricism", the actual compromise Lutos?awski made between your Cageian suggestions involving opportunity and also performer choice, as well as the control that, as a composer, he needed to retain over his musical material. to me, from least, it's really a much more exciting achievement compared to the over-manicured Third and also Fourth Symphonies which adopted it.

Zimerman offers continued to perform the particular concerto regularly, living using it, refining his interpretation. Zimerman gave the very first performance at the Salzburg festival the identical year, and recorded it with regard to Deutsche Grammophon throughout 1989, with the composer conducting your BBC Symphony Orchestra.

. The Particular piano portion ended up being often perfectly tailored to be able to his supreme technique - regardless involving whether it's the simple, crystalline phrases with the opening movement, the actual whirling sleights associated with hand of the scherzo-like second, your quasi-romantic expressiveness in the slow third, or within the extraordinary finale, which usually manages to combine your elements associated with an orchestral chaconne with the chain form which was Lutos?awski's innovation within his later music. Which relationship is constantly probed by Zimerman and Simon Rattle too; the actual Berlin Philharmonic's realisation with the flickering, glinting orchestral creating is simply as meticulously comprehensive since the jewel-like precision of the piano playing.

The pairing is essential as well - using Rattle's are living performance of the important perform via an earlier phase in Lutos?awski's career, the 2nd Symphony, completed inside 1967

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